Cheri Samba. © Cheri Samba.
Born in 1956
Private Collections : Fondation Cartier pour l'art contemporain, Paris, France; CAAC - The Pigozzi Collection, Genève, Suisse; Collection Sindika Dokolo, Luanda, Angola; Collection agnès.b, Paris, France; Collection Lilian Thuram, Paris, France ;
Public Collections : Musée royal d'Afrique centrale, Tervuren, Belgique. ;
Collected by museums and foundations : MoMA - Museum of Modern Art / MACAAL - Museum of African Contemporary Art Al Maaden / Zeitz - Museum Of Contemporary Art Africa (MOCAA)Musée National d'Art Moderne - Centre Pompidou, Paris, France; Seattle Art Museum, Seatlle, United States;
Presentation of the artist
In 1972 Chéri Samba left school in order to become a sign painter on Kasa Vubu Avenue in Kinshasa. From this circle of artists (which included Moke, Bodo, and later Samba's younger brother Cheik Ledy) arose one of the most vibrant schools of popular painting of the twentieth century. Working both as a billboard painter and a comic strip artist, Samba employed the conventions of both genres when he began making paintings on sacking cloth (canvas being too expensive) in 1975.
Indeed, he borrowed the bubbles from the comics in order to incorporate in his paintings not only narrative but also comments. Samba has recalled how he came to use text in these paintings: "I had noticed that people in the street would walk by my paintings, glance at them and keep going. I thought that if I added a bit of text, people would have to stop and take time to read, to get more into the painting and admire it. That's what I called the 'Samba signature'. Since then I put text in all my paintings." In the early 1980s he began signing his paintings 'Chéri Samba: Artiste Populaire'. Indeed, the popularity of his paintings soon went beyond Kinshasa's borders. By the mid 1980s his work was gaining an international audience. Samba's paintings of this period reveal his perception of the social, political, economic and cultural realities of Zaïre (now the Democratic Republic of Congo), with subject such as everyday life in Kinshasa, customs, sexuality, AIDS, social inequalities, and corruption.
Samba explained, "My painting is concerned with people's lives. I'm not interested in myths or beliefs. That's not my goal. I want to change our mentality that keeps us isolated from the world. I appeal to people's consciences. Artists must make people think." Since the late 1980s on, he became the main subject of his paintings. For Samba, this is not an act of narcissism but the narrative of a successful African artist in the art world.
Nationality : Congo - Kinshasa