Kalasi Ki Ndduenga, 1956
Oil on Canvas
Additional information that may help the collector in his purchase
CM H 105 W 81
IN H 41.34 W 31.89Signed by artist
Kalasi Ki Ndduenga, 1956
In 1972 Chéri Samba left school in order to become a sign painter on Kasa Vubu Avenue in Kinshasa. From this circle of artists (which included Moke, Bodo, and later Samba's younger brother Cheik Ledy) arose one of the most vibrant schools of popular painting of the twentieth century. Working both as a billboard painter and a comic strip artist, Samba employed the conventions of both genres when he began making paintings on sacking cloth (canvas being too expensive) in 1975.
Indeed, he borrowed the bubbles from the comics in order to incorporate in his paintings not only narrative but also comments. Samba has recalled how he came to use text in these paintings: "I had noticed that people in the street would walk by my paintings, glance at them and keep going. I thought that if I added a bit of text, people would have to stop and take time to read, to get more into the painting and admire it. That's what I called the 'Samba signature'. Since then I put text in all my paintings." In the early 1980s he began signing his paintings 'Chéri Samba: Artiste Populaire'. Indeed, the popularity of his paintings soon went beyond Kinshasa's borders. By the mid 1980s his work was gaining an international audience. Samba's paintings of this period reveal his perception of the social, political, economic and cultural realities of Zaïre (now the Democratic Republic of Congo), with subject such as everyday life in Kinshasa, customs, sexuality, AIDS, social inequalities, and corruption.
Samba explained, "My painting is concerned with people's lives. I'm not interested in myth...Read more
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