Kouame Vessel, 2020


Unique Work
Handmade
Terracotta
H 17cm | L 15cm | W 8.5cm


Certificate of authenticity - Signed by artist
€590.00



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Kouame Vessel, 2020

“My aim with this body of work is to question the ‘norm’ in Art. On the one hand, Art from the South has historically been considered ‘primitive’ or ‘exotic’ and belittled. And on the other, when it comes to Pottery - a traditionally female craft -, the moment the wheel is invented and men take over, hand-built pots - those mostly made by women within their domestic compounds - are taken for granted and assigned no artistic value. 

I strongly believe that progress will only come when we all unite: Women and Men, the feminine and the masculine, the North and the South. And so, I have brought all these concepts together through clay: the Baney pieces are made with different mixtures of Draycott (Stoneware) or Porcelain and my Baney Clay, it being an allegory of the South and Women. While the smaller pieces are all wheel-thrown, the larger ones are made by mixing throwing and coiling.

The result of all this mixing is full of tensions and struggles, to the point of there being cracks. A perfect metaphor of how the North needs the South to be refined, to be palatable; or how Women have historically been taught to be kind, quiet and submissive to be accepted by Men. However, the mix is beautiful. So so be it. ” — Bisila Noha
 
The name of this piece, Kouame, comes from the name of a woman potter in Ivory Coast by whose work Bisila has inspired and who Bisila is now trying to find and connect with.

Bisila Noha

Bisila Noha is a London-based ceramicist, whose works draw on different traditional practices of working with clay from around the globe. Her work is a mix of wheel thrown and coiling.

Her latest body of works Baney Clay: An Unearthed Identity is a journey she has been wanting to embark on for a long while. Being half Spanish and half Equatorial Guinean, but grew up in Europe, she did not have the opportunity to explore her African origins. Her recent work speaks about reconnection with her African roots and, consequently, with her blackness. 

Her latest body of work titled ‘Baney Clay' is a unique and personal collection that explores her heritage around Equatorial Guinea. Named Baney Clay by Bisila after her father’s village, the resulting vessels become ‘beautiful clay metaphors’ that mark an exploration and re-connection with her African roots.

“My aim with this body of work is to question the ‘norm’ in Art. On the one hand, Art from the South has historically been considered ‘primitive’ or ‘exotic’ and belittled. And on the other, when it comes to Pottery - a traditionally female craft -, the moment the wheel is invented and men take over, hand-built pots - those mostly made by women within their domestic compounds - are taken for granted and assigned no artistic value." Bisila Noha. 

She also run workshops with the arts and education organisation she co-direct Lon-art, and Read more


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