Genesis (Je n'isi n'isi) III, 2016
Pigment ink on fibre paper
CM H 140 W 130
IN H 55.12 W 51.18Signed by artist
Genesis (Je n'isi n'isi) III, 2016
They included other Europeans who sought similar adventures and the porters and guides who bore the weight of their supplies as well as slaves freed from Arab slave traders. It re-imagines Livingstone’s journey with the guiding principles that Christianity and commerce were inseparable.
Kudzanai Chiurai (b. 1981) is an internationally acclaimed young artist born in Zimbabwe. Born one year after Zimbabwe’s emergence from white-ruled Rhodesia, Chiurai’s early work has focused on the political, economic and social strife in his homeland however, his art practice spans a diverse range of media. From large mixed media works and paintings that tackle some of the most pertinent issues facing Southern Africa such as xenophobia, displacement and black empowerment, Chiurai’s artworks confront viewers with the psychological and physical experience of inner-city environments of African metropolitans, seeing these spaces as the continent’s most cosmopolitan melting pots in which thousands of refugees and asylum-seekers who battle for survival alongside the never-ending swell of newly urbanized denizens.
As an increasingly important figure in contemporary African art, Chiurai has expanded his art and activist practice to include photography and video: mediums that enable the artist to address pertinent issues facing his generation of southern Africans.
Chiurai has held numerous solo exhibitions since 2003 and has participated in various local and international exhibitions, such as ‘Figures & Fictions: Contemporary South African Photography’ (2011) at the Victoria and Albert Museum in London and ‘Impressions from South Africa, 1965 to Now’ (2011) at the Museum of Modern Art in New York. Other notable exhibitions include ‘The Divine Comedy: Heaven, Purgatory and Hell Revisited’ curated by Simon Njami at Museum für Moderne Kunst in Frankfurt (2014) a...Read more
Goodman Gallery is an international contemporary art gallery with locations in Johannesburg, Cape Town and London. The gallery represents artists whose work confronts entrenched power structures and inspires social change.
Goodman Gallery has held the reputation as a pre-eminent art gallery on the African continent since 1966. It has been pivotal in shaping contemporary South African art, bringing Lisa Brice, David Goldblatt, William Kentridge, David Koloane, Sam Nhlengethwa and Sue Williamson to the world’s attention for the first time during the apartheid era.
Since Liza Essers became owner and director in 2008, the gallery roster has grown by more than 30 international artists, with a focus on women from the African Diaspora and beyond.
Goodman Gallery has a global programme working prominent and emerging international artists whose work engages in a dialogue with African and post-colonial contexts.
Some of these artists include Ghada Amer, El Anatsui, Candice Breitz, Alfredo Jaar, Grada Kilomba, Kapwani Kiwanga, Shirin Neshat, Ernesto Neto, Tabita Rezaire, Yinka Shonibare CBE, Mikhael Subotzky and Hank Willis Thomas.
Critical to this programme has been the introduction of two ongoing curatorial initiatives: “In Context”, which explores tensions of place and belonging; and “South-South”, which considers connections between artists from the “global south”. Goodman Gallery’s expansion to London furthers this mission to confront dominant historical narratives and to contribute to contemporary art discourse and social repair.