Exit Frame, 2017
Plastic, wires and oil paint
CM H 78 W 65
IN H 30.71 W 25.59Signed by artist
Exit Frame, 2017
This work was part of the experimental exhibition "Gallery Takeover" by Gallery 1957 in the space of Gallery Lawrie Shabibi in Dubai in 2018.
Serge Attukwei Clottey shows a new series of pastel drawings on paper, depicting disjointed figures and faces - not unlike the visions of nude women under Cubism, a European movement which drew heavily from traditional African tribal sculpture. Introducing colour, the pieces mark a departure from Clottey’s previous charcoal works.
Also on display are Clottey's wall-based sculptures created from yellow gallon containers - bold assemblages that act as a means of inquiry into the languages of form and abstraction. Alongside these sculptures and drawings, Clottey presents a video installation, 'The Displaced', enacting the trade and migration story of the Clottey family; together with his performance collective GoLokal, Clottey embarks on a symbolic journey of remembrance on Labadi Beach, Accra.
Serge Attukwei Clottey
Serge Attukwei Clottey (b. 1985) is known for his work that examines the powerful agency of everyday objects. Working across installation, performance, photography and sculpture, Clottey explores narratives of personal, family and collective histories often relating to trade and migration. Based in Accra and working internationally, Clottey, the creator of Afrogallonism, an artistic concept that comments on consumption within modern Africa through the utilization of yellow gallon containers.
Through cutting, drilling, stitching and melting found materials, Clottey’s sculptural installations are bold assemblages that act as a means of inquiry into questions of form and history. As the founder of Ghana’s GoLokal performance collective, Clottey sees art as a way to transform society. With aspects of activism prevalent in his practice, his works challenge convention and advocate the importance of creativity. In August 2019 Clottey received the award of Honorary Doctorate of Arts from the University of Brighton.Read more
Gallery 1957 presents leading artists working across West Africa and the diaspora.
Launched by Marwan Zakhem on Ghana Independence Day, 2016, Gallery 1957 has since expanded across two gallery spaces within Accra, dedicating its programme to spearheading international exchanges between contemporary West African art practices and the rest of the world.
Presenting a programme of exhibitions, installations and performances by the region’s most significant artists, Gallery 1957 bridges the gap between local and international audiences. Beyond its roster of diverse artists and exhibitions, global gallery partnerships and the establishment of the artist residency programme have welcomed many international artists and arts professionals to Ghana, encouraging them to engage further with the country’s rich contemporary art scene.
Gallery 1957’s work expands beyond the gallery walls through a public programme that includes fairs, talks, off-site projects and site-specific installations commissions - continuously supporting cultural initiatives in Ghana, and beyond.
Kempinski Hotel Gold Coast City & Galleria Mall
PMB 66 — Ministries
Gamel Abdul Nasser Avenue
Ridge — Accra
11am—7pm during exhibitions