Paradise #6, 2019
Unique Artwork
CM H 167.64 W 99
IN H 66 W 38.98
Signed by artist
Paradise #6, 2019
Karmali’s practice focuses on the transformation of objects and materials by global economic flows. He draws on his observations of these, as well as his own physical experience of moving through international borders and cultural spheres. Paradise (his new body of work) is a new and on-going body of work in which Karmali engages with time and memory and his experience of migration.
Combining screen-printing and dyeing techniques, Karmali creates atmospheric compositions built up from personal photographs, which evoke the humidity and ecosystem of his mother’s memory of her native Seychelles islands. Abstract from a distance, with the image appearing only upon close inspection, the Paradise series possess a dreamlike quality, transporting the viewer to a time and place long past, both real and imaginary.
Tahir Carl Karmali
Tahir Karmali is a visual artist who pairs materials and portraiture to define personal narratives through the mixed mediums of photography, paper making, and installation. His expression describes economic and political accounts and pronounces them with a single material or object. Karmali’s interest in outlier communities whose identities are shaped by economic, political and social systems are transcribed into narratives describing the wide-ranging reality of the human experience. The materials he uses are dictated by the perception and value of an object in the narrative; whether it is a valued item through the eyes of a male sex worker in Nairobi or a plastic veiled apartment of a New York immigrant.
Currently, Karmali is combining dig...
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Founded in 2012, and based in Nairobi, Kenya, Circle Art Gallery promotes contemporary art from Eastern Africa.
Our intention is to create a strong and sustainable art market for East African artists by supporting and promoting the most innovative and exciting artists currently practicing in the region. Through group and solo exhibitions, as well as participation in international art fairs, the gallery has increased visibility for established and emerging artists, both internationally and at home.
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In the past six years the art scene has changed considerably in the region, and particularly in Kenya. Audiences have grown, artists have more opportunities to show internationally and our Circle events are regularly attended by sizeable numbers of visitors. Circle has been at the forefront of these changes in perception of the value and importance of art in the region. We have also nurtured many young Kenyans through our internship programme to go on to study and participate in the wider African art arena.
Working closely with regional and international collectors and curators, we are building a strong and sustainable market for East African artists.
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