How to blow up Two Heads at Once (Gentlemen), 2006


Unique Artwork

Fiberglass

Tow life-size fibreglass mannequins, huns, Dutch was printed cotton, leather riding boots


CM H 175 W 160 Thickness 40

IN H 68.9 W 62.99 Thickness 15.75

Signed by artist



How to blow up Two Heads at Once (Gentlemen), 2006

Yinka Shonibare is known for his exploration of colonialism and post-colonialism within the context of globalization. Through his interdisciplinary practice, Shonibare’s work examines race, class and the construction of cultural identity through a political commentary of the interrelationship between Africa and Europe, and their respective economic and political histories. Shonibare uses citations of Western art history and literature to question the validity of contemporary cultural and national identities.

Yinka Shonibare

Yinka Shonibare CBE (b. London, UK, 1962 -) moved to Lagos, Nigeria at the age of three. He returned to the UK to study Fine Art at Byam Shaw School of Art, London and Goldsmiths College, London, where he received his Masters in Fine Art.

He has become known for his exploration of colonialism and post-colonialism within the context of globalization. Through his interdisciplinary practice, Shonibare’s work examines race, class and the construction of cultural identity through a political commentary of the interrelationship between Africa and Europe, and their respective economic and political histories. Shonibare uses citations of Western art history and literature to question the validity of contemporary cultural and national identities.

In 2002, he was commissioned to create one of his most recognised installations, Gallantry and Criminal Conversation for Documenta XI. In 2004, he was nominated for the Turner Prize and in 2008, his mid-career survey began at Museum of Contemporary Art, Sydney; touring to the Brooklyn Museum, New York and the Museum of African Art at the Smithsonian Institute, Washington D.C. In 2010, his first public art commission Nelson’s Ship in a Bottle was displayed on the Fourth Plinth in Trafalgar Square, London, and was acquired by the National Maritime Museum, Greenwich, London.

In 2013, he was elected as a Royal Academician and in 2017, Wind Sculpture VI was featured in the courtyard of the Royal Academy of the Arts, London as part of the Royal Academy Summer Exhibition. Shoni...

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Goodman Gallery

Goodman Gallery is an international contemporary art gallery with locations in Johannesburg, Cape Town and London. The gallery represents artists whose work confronts entrenched power structures and inspires social change.

Goodman Gallery has held the reputation as a pre-eminent art gallery on the African continent since 1966. It has been pivotal in shaping contemporary South African art, bringing Lisa Brice, David Goldblatt, William Kentridge, David Koloane, Sam Nhlengethwa and Sue Williamson to the world’s attention for the first time during the apartheid era.

Since Liza Essers became owner and director in 2008, the gallery roster has grown by more than 30 international artists, with a focus on women from the African Diaspora and beyond.

Goodman Gallery has a global programme working prominent and emerging international artists whose work engages in a dialogue with African and post-colonial contexts.

Some of these artists include Ghada Amer, El Anatsui, Candice Breitz, Alfredo Jaar, Grada Kilomba, Kapwani Kiwanga, Shirin Neshat, Ernesto Neto, Tabita Rezaire, Yinka Shonibare CBE, Mikhael Subotzky and Hank Willis Thomas.

Critical to this programme has been the introduction of two ongoing curatorial initiatives: “In Context”, which explores tensions of place and belonging; and “South-South”, which considers connections between artists from the “global south”. Goodman Gallery’s expansion to London furthers this mission to confront dominant historical narratives and to contribute to contemporary art discourse and social repair. Read more

Curated by Goodman Gallery

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