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	<title>Aida Muluneh &#8211; Artskop</title>
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	<description>Art Powerhouse for Africa, crossing times and borders</description>
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	<title>Aida Muluneh &#8211; Artskop</title>
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	<item>
		<title>1-54 Contemporary African Art Fair</title>
		<link>https://www.artskop.com/en/contemporary-african-art-fair/</link>
		
		<dc:creator><![CDATA[Artskop3437]]></dc:creator>
		<pubDate>Thu, 01 Aug 2019 09:29:56 +0000</pubDate>
				<category><![CDATA[Art Stories]]></category>
		<category><![CDATA[Events]]></category>
		<category><![CDATA[Fairs]]></category>
		<category><![CDATA[1-54 Contemporary African art fair]]></category>
		<category><![CDATA[Aida Muluneh]]></category>
		<category><![CDATA[Diane Victor]]></category>
		<category><![CDATA[Mongezi Ncaphayi]]></category>
		<guid isPermaLink="false">http://s960436671.onlinehome.fr/?p=9591</guid>

					<description><![CDATA[<p>1-54 announced their special projects for London 2019 In addition to the 45 international galleries exhibiting at the upcoming seventh &#8230;</p>
<p>The post <a rel="nofollow" href="https://www.artskop.com/en/contemporary-african-art-fair/">1-54 Contemporary African Art Fair</a> appeared first on <a rel="nofollow" href="https://www.artskop.com/en">Artskop</a>.</p>
]]></description>
										<content:encoded><![CDATA[
<h2 class="wp-block-heading"><a href="http://1-54.com/london/" target="_blank" rel="noreferrer noopener" aria-label="1-54 announced their special projects for London 2019 (opens in a new tab)">1-54 announced their special projects for London 2019</a></h2>



<p>In addition to the 45 international galleries exhibiting at the upcoming seventh edition, 1-54 will feature an expanded selection of Special Projects.</p>



<h2 class="wp-block-heading"><a href="http://s960436671.onlinehome.fr/en/mary-sibande-i-came-apart-at-the-seams/" target="_blank" rel="noreferrer noopener" aria-label="Mary Sibande :&nbsp;I came apart at the seams in partnership with Somerset House (opens in a new tab)">Mary Sibande :&nbsp;I came apart at the seams in partnership with Somerset House</a></h2>



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<p>After successful solo exhibitions of <strong>Malick Sidibé, Hassan Hajajj and Athi-Patra Ruga,</strong> <strong>1-54 once again partnered with Somerset House</strong> to present&nbsp;<em><strong><a rel="noreferrer noopener" aria-label="I Came Apart at the Seams, (opens in a new tab)" href="http://s960436671.onlinehome.fr/en/mary-sibande-i-came-apart-at-the-seams/" target="_blank">I Came Apart at the Seams</a></strong></em><a rel="noreferrer noopener" aria-label="I Came Apart at the Seams, (opens in a new tab)" href="http://s960436671.onlinehome.fr/en/mary-sibande-i-came-apart-at-the-seams/" target="_blank">,</a> an exhibition of new and celebrated works from <strong>one of South Africa’s most prominent contemporary artists Mary Sibande.</strong> In her first solo UK exhibition, Sibande presents <strong>photographic and sculptural works which explore the power of the imagination and righteous anger in shaping post-colonial identity in South Africa.</strong> Following the journey of Sibande’s alter-ego, Sophie, as she transitions through time, colour and form, the artist looks at the body, and particularly the way in which it is clothed, exploring it as a site where history and its legacies can be contested and redressed. The exhibition will open concurrently to the fair and running through 5 January 2020.</p>



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<h2 class="wp-block-heading">Nando&#8217;s in partnership with <a rel="noreferrer noopener" aria-label="Spier Arts Trust (opens in a new tab)" href="http://spierartstrust.co.za/" target="_blank">Spier Arts Trust</a></h2>



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<p><strong>Nando’s, <a href="http://1-54.com/london/" target="_blank" rel="noreferrer noopener" aria-label="1-54 (opens in a new tab)">1-54</a> Silver Sponsor,</strong> will <strong>present work for sale by four Southern African artists</strong> in partnership with <strong>Spier Arts Trus</strong>t: <strong>Nelsa Guambe, Sepideh Mehraban, Qaqambile Bead Studio and Mxolisi Dolla Sapeta. </strong>It is with great pleasure that the fair partners with <strong>Nando’s,</strong> whose <strong>patronage of contemporary Southern African art</strong>, both enables career development opportunities for artists and the curation of Nando’s body of work. By allowing artists to focus full-time on their artistic careers with the potential to earn a regular income, Nando’s is making a difference in people’s lives while growing their body of high quality Southern African contemporary art.</p>



<h2 class="wp-block-heading">1-54 Lounge by Distill2710</h2>



<p>Again this year, <strong>the fair’s lounge will become an immersive experience inspired </strong>by the unique concepts in <strong>Yoruba heritage and African art, </strong>presented by <strong>Distill2710</strong>, the design studio and consultancy by Tola Ojuolape. Blue Cloth will look at <strong>Nigerian textiles </strong>and the craftsmanship they entail as a background and source of inspiration, influenced by the works of Nigerian pioneering artist, Chief <strong>Nike Okundaye.</strong> <strong>Distill2710 will create a communal space for gathering in the heart of the fair,</strong> exploring the art of textiles by showcasing and displaying traditional Nigerian Adire Batiq &amp; Indigo dyes, the West African tradition thought to be at least a thousand years old.</p>



<h3 class="wp-block-heading"><a rel="noreferrer noopener" aria-label="Aïda Muluneh : Water Life  by Wateraid in partnership with Somerset House  (opens in a new tab)" href="http://s960436671.onlinehome.fr/en/water-life-by-aida-muluneh/" target="_blank">Aïda Muluneh : Water Life  by Wateraid in partnership with Somerset House </a></h3>



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<figure class="wp-block-image"><img decoding="async" width="893" height="893" src="http://s960436671.onlinehome.fr/wp-content/uploads/2019/05/AIDA_MULUNEH_2018_Distant_Echoes_of_dreams_ARTSKOP3437_Somerset_house.jpg" alt="Aida Muluneh, Distant Echoes of Dreams, 2018 Archival Digital Print 31 1/2 × 31 1/2 in 80 × 80 cm Edition of 7 © Aida Muluneh" class="wp-image-5924" srcset="https://www.artskop.com/wp-content/uploads/2019/05/AIDA_MULUNEH_2018_Distant_Echoes_of_dreams_ARTSKOP3437_Somerset_house.jpg 893w, https://www.artskop.com/wp-content/uploads/2019/05/AIDA_MULUNEH_2018_Distant_Echoes_of_dreams_ARTSKOP3437_Somerset_house-150x150.jpg 150w, https://www.artskop.com/wp-content/uploads/2019/05/AIDA_MULUNEH_2018_Distant_Echoes_of_dreams_ARTSKOP3437_Somerset_house-600x600.jpg 600w, https://www.artskop.com/wp-content/uploads/2019/05/AIDA_MULUNEH_2018_Distant_Echoes_of_dreams_ARTSKOP3437_Somerset_house-768x768.jpg 768w" sizes="(max-width: 893px) 100vw, 893px" /><figcaption>Aida Muluneh, Distant Echoes of Dreams, 2018
Archival Digital Print
31 1/2 × 31 1/2 in
80 × 80 cm
Edition of 7
© Aida Muluneh and David Krut Projects</figcaption></figure>



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<p>Engaging in issues of water scarcity and ecological emergency, photographer Aïda Muluneh presents a new series of work commissioned by WaterAid and <strong>supported by H&amp;M Foundation</strong>. The <strong>Afrofuturist tableaux of images </strong>were shot against the extreme backdrop of one of the driest places on earth, Dallol, in the Afar District of Ethiopia. Reflecting on her travels across the country, Muluneh looks at the number of women who travel on foot carrying heavy containers of water. Each image in this body of work responds to the challenge of water access, exploring it as a social issue directly impacting rural regions and the development of whole communities.</p>



<h2 class="wp-block-heading">Studio Kameni</h2>



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<p><strong>Studio Kameni aims to explore, discover and give new life to the photographic archives of Michel “Papami” Kameni</strong>, who documented <strong>the rapid evolution of postcolonial Yaounde</strong>, the capital of Cameroon, <strong>from 1963 onwards.</strong> The images will <strong>be shown publicly for the first time</strong>, showcasing Michel <em><strong>“Papami” </strong></em>Kameni’s intimate study of the relationship between the photographer and his subjects, hailing from all social circles and varied cultured backgrounds. <strong>Through these images transpire the dreams and aspirations of a nation in transition, new musical influences, a westernised fashion and an evolving fusion of tradition and modernity.</strong></p>



<figure class="wp-block-image"><img decoding="async" loading="lazy" width="1024" height="1005" src="http://s960436671.onlinehome.fr/wp-content/uploads/2019/09/detail-of-marlise-keith-the-brave-yard-2017-1-54-artskop-sepcial-project-1024x1005.jpg" alt="Special project of 1-54 contemporary African art fair" class="wp-image-9605" srcset="https://www.artskop.com/wp-content/uploads/2019/09/detail-of-marlise-keith-the-brave-yard-2017-1-54-artskop-sepcial-project-1024x1005.jpg 1024w, https://www.artskop.com/wp-content/uploads/2019/09/detail-of-marlise-keith-the-brave-yard-2017-1-54-artskop-sepcial-project-600x589.jpg 600w, https://www.artskop.com/wp-content/uploads/2019/09/detail-of-marlise-keith-the-brave-yard-2017-1-54-artskop-sepcial-project-768x754.jpg 768w, https://www.artskop.com/wp-content/uploads/2019/09/detail-of-marlise-keith-the-brave-yard-2017-1-54-artskop-sepcial-project.jpg 2048w" sizes="(max-width: 1024px) 100vw, 1024px" /><figcaption>Marlise Keith in collaboration with Qaqambile Bead Studio, The Brave Yard (detail), 2017, Glass seed beads on board, 138 x 200 cm. Courtesy Nando’s UK Collection</figcaption></figure>



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<h3 class="wp-block-heading"><a rel="noreferrer noopener" aria-label="Atelier le Grand Village (opens in a new tab)" href="http://s960436671.onlinehome.fr/en/in-conversation-with-diane-victor-at-atelier-le-grand-village/" target="_blank">Atelier le Grand Village</a> : Bambo Sibiya, Mongezi Ncaphayi &amp; Diane Victor</h3>



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<p><strong>Atelier le Grand Village</strong>, a residency space located in the South of France, <strong>dedicated to the artistical revival of stone lithography</strong> will showcase work by <strong>three major artists who feature in public and private collections in South Africa and abroad.</strong> Bambo Sibiya’s multiples, rich in stylistic detail and texture, will be shown alongside abstract prints by Mongezi Ncaphayi and Diane Victor’s manière noire, ash and smoke artworks which deal with the taboos of South African society, and social and political life tainted with violence, corruption and social disparities.</p>



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<h3 class="wp-block-heading">C&amp; Artist&#8217;s editions: Kapwani Kiwanga</h3>



<p>As part of its <strong>C&amp; Artist’s Editions project</strong> of <strong>specially-commissioned works </strong>by collaborating artists, <strong>C&amp; will present a series of small sculptures by Kapwani Kiwanga</strong>, which <strong>reference the French colonial urbanist Hubert Lyautey’s</strong> proposition that a measurement of 500ft should be placed between native and European areas. He did so during the International Congress of Urbanism in the colonies which was held in Paris, France in 1931 in conjunction with the <strong>Colonial Exhibition</strong> taking place in the city. Published notes from the Congress included the recommendation by <strong>Lyautey, who was particularly influential on the urbanisation of Morocco.</strong> His proposition came to be known as <strong>the Lyautey doctrine.</strong></p>



<h3 class="wp-block-heading">Thread: Silva Rosi &amp; Anne-Marie Akussah</h3>



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<figure class="wp-block-image"><img decoding="async" loading="lazy" width="1024" height="769" src="http://s960436671.onlinehome.fr/wp-content/uploads/2019/09/mid-threadhighhanninen-1-54-artskop-1024x769.jpg" alt="Special project of 1-54 contemporary African Art Fair" class="wp-image-9607" srcset="https://www.artskop.com/wp-content/uploads/2019/09/mid-threadhighhanninen-1-54-artskop-1024x769.jpg 1024w, https://www.artskop.com/wp-content/uploads/2019/09/mid-threadhighhanninen-1-54-artskop-600x450.jpg 600w, https://www.artskop.com/wp-content/uploads/2019/09/mid-threadhighhanninen-1-54-artskop-768x576.jpg 768w, https://www.artskop.com/wp-content/uploads/2019/09/mid-threadhighhanninen-1-54-artskop.jpg 2048w" sizes="(max-width: 1024px) 100vw, 1024px" /><figcaption>Thread © Hanninen
</figcaption></figure>



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<p><strong>1-54 will also welcome a Special Project by Thread</strong>, a <strong>cultural centre </strong>and <strong>artist residency programme in Sinthian</strong>, a <strong>remote village in eastern Senegal.</strong> Thread will showcase&nbsp;<em><strong>Presenting cultural connections</strong></em>&nbsp;which highlights <strong>the work of two young London-based artists</strong>; photographer <strong>Silvia Rosi </strong>and painter <strong>Anne-Marie Akussah</strong> who, during their residency at Thread, <strong>have explored ideas around identity and migration, and whose subjects are linked to their own West African heritage.</strong></p>



<h3 class="wp-block-heading">Versant Sud: Leikun Nahusenay</h3>



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<p><strong>VERSANT SUD</strong> will present a solo exhibition of works by <strong>Ethiopian artist Leikun Nahusenay,</strong> created during his <strong>two-month residency in Marseille. Nahusenay will also create an in-situ artwork,</strong> live during the fair. <strong>VERSANT SUD offers a programme of residencies and artistic exchanges in two geographical areas, the southern region of France and African capital cities.</strong> The residency program helps to reveal talents, allows for the professionalization of artists, connects artists with collectors and plays a key role in enabling mobility. VERSANT SUD was launched in 2018, with its first program dedicated to Addis Ababa, capital of Ethiopia.fefeef</p>



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<p class="has-small-font-size"><em><strong>Artskop3437 is media sponsor of the London 2019 edition of 1-54</strong></em></p>



<p><a href="http://1-54.com/" target="_blank" rel="noreferrer noopener" aria-label="1-54 Contemporary African Art Fair (opens in a new tab)">1-54 Contemporary African Art Fair</a>&nbsp;3-6 October 2019, Somerset House, London&nbsp;Somerset HouseStrand, London WC2R 1LA</p>
<p>The post <a rel="nofollow" href="https://www.artskop.com/en/contemporary-african-art-fair/">1-54 Contemporary African Art Fair</a> appeared first on <a rel="nofollow" href="https://www.artskop.com/en">Artskop</a>.</p>
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			</item>
		<item>
		<title>Water Life by Aida Muluneh</title>
		<link>https://www.artskop.com/en/water-life-by-aida-muluneh/</link>
		
		<dc:creator><![CDATA[Artskop3437]]></dc:creator>
		<pubDate>Fri, 24 May 2019 07:27:11 +0000</pubDate>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[Aida Muluneh]]></category>
		<category><![CDATA[David Krut Projects]]></category>
		<category><![CDATA[Event in UK]]></category>
		<category><![CDATA[London]]></category>
		<category><![CDATA[Photographs]]></category>
		<category><![CDATA[Somerset House]]></category>
		<guid isPermaLink="false">http://s960436671.onlinehome.fr/?p=5913</guid>

					<description><![CDATA[<p>Engaging in issues of water scarcity and ecological emergency, artist/photographer Aida Muluneh presents, with support from the H&#38;M Foundation, a new &#8230;</p>
<p>The post <a rel="nofollow" href="https://www.artskop.com/en/water-life-by-aida-muluneh/">Water Life by Aida Muluneh</a> appeared first on <a rel="nofollow" href="https://www.artskop.com/en">Artskop</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><figure id="attachment_5924" aria-describedby="caption-attachment-5924" style="width: 893px" class="wp-caption aligncenter"><img decoding="async" loading="lazy" class="size-full wp-image-5924" src="http://s960436671.onlinehome.fr/wp-content/uploads/2019/05/AIDA_MULUNEH_2018_Distant_Echoes_of_dreams_ARTSKOP3437_Somerset_house.jpg" alt="Aida Muluneh, Distant Echoes of Dreams, 2018 Archival Digital Print 31 1/2 × 31 1/2 in 80 × 80 cm Edition of 7 © Aida Muluneh" width="893" height="893" srcset="https://www.artskop.com/wp-content/uploads/2019/05/AIDA_MULUNEH_2018_Distant_Echoes_of_dreams_ARTSKOP3437_Somerset_house.jpg 893w, https://www.artskop.com/wp-content/uploads/2019/05/AIDA_MULUNEH_2018_Distant_Echoes_of_dreams_ARTSKOP3437_Somerset_house-150x150.jpg 150w, https://www.artskop.com/wp-content/uploads/2019/05/AIDA_MULUNEH_2018_Distant_Echoes_of_dreams_ARTSKOP3437_Somerset_house-600x600.jpg 600w, https://www.artskop.com/wp-content/uploads/2019/05/AIDA_MULUNEH_2018_Distant_Echoes_of_dreams_ARTSKOP3437_Somerset_house-768x768.jpg 768w" sizes="(max-width: 893px) 100vw, 893px" /><figcaption id="caption-attachment-5924" class="wp-caption-text">Aida Muluneh, Distant Echoes of Dreams, 2018<br />Archival Digital Print<br />31 1/2 × 31 1/2 in<br />80 × 80 cm<br />Edition of 7<br />© Aida Muluneh and David Krut Projects</figcaption></figure></p>
<p>Engaging in issues of water scarcity and ecological emergency, artist/photographer<strong><a href="https://www.aidamuluneh.com/bio" target="_blank" rel="noopener"> Aida Muluneh</a> </strong>presents, with support from the H&amp;M Foundation, a new series of 12 work commissioned by Wateraid. Exploring ideas of representation , gender and social justice through an Afrofuturist tableaux of twelve, large-scale images shot in Ethiopia, the powerful work builds on Somerset House&#8217;s ongoing strand of environmental themed programming.</p>
<div class="quote quote--text">
<p><figure id="attachment_5926" aria-describedby="caption-attachment-5926" style="width: 880px" class="wp-caption aligncenter"><img decoding="async" loading="lazy" class="size-full wp-image-5926" src="http://s960436671.onlinehome.fr/wp-content/uploads/2019/05/AIDA_MULUNEH_2018_the_sorrows_we_bear_ARTSKOP3437_Somerset_house.jpg" alt="Aida Muluneh, The Sorrows we bear, 2018 Archival Digital Print 31 1/2 × 31 1/2 in 80 × 80 cm © Aida Muluneh" width="880" height="881" srcset="https://www.artskop.com/wp-content/uploads/2019/05/AIDA_MULUNEH_2018_the_sorrows_we_bear_ARTSKOP3437_Somerset_house.jpg 880w, https://www.artskop.com/wp-content/uploads/2019/05/AIDA_MULUNEH_2018_the_sorrows_we_bear_ARTSKOP3437_Somerset_house-150x150.jpg 150w, https://www.artskop.com/wp-content/uploads/2019/05/AIDA_MULUNEH_2018_the_sorrows_we_bear_ARTSKOP3437_Somerset_house-600x600.jpg 600w, https://www.artskop.com/wp-content/uploads/2019/05/AIDA_MULUNEH_2018_the_sorrows_we_bear_ARTSKOP3437_Somerset_house-768x769.jpg 768w" sizes="(max-width: 880px) 100vw, 880px" /><figcaption id="caption-attachment-5926" class="wp-caption-text">Aida Muluneh, The Sorrows we bear, 2018<br />Archival Digital Print<br />31 1/2 × 31 1/2 in<br />80 × 80 cm<br />© Aida Muluneh and David Krut Projects</figcaption></figure></p>
<p>The project emerged from a dialogue about the role of art in advocacy, the issues of water and sanitation and how Africa is represented by aid organizations and in global media.This autumnal exhibition follows a previous show &#8220;Water Life&#8221; that is actually displaying  at <strong><a href="http://davidkrutprojects.com" target="_blank" rel="noopener">David Krut Projects</a></strong>&#8216;s space in <strong>New York until June 14th 2019</strong>. Half of all gallery sales will benefit WaterAid.</p>
<p><figure id="attachment_5942" aria-describedby="caption-attachment-5942" style="width: 884px" class="wp-caption aligncenter"><img decoding="async" loading="lazy" class="size-full wp-image-5942" src="http://s960436671.onlinehome.fr/wp-content/uploads/2019/05/AIDA_MULUNEH_2018_Beside_the_doors_ARTSKOP3437_Somerset_house.jpg" alt="Beside the door, 2018 Archival Digital Print 31 1/2 × 31 1/2 in 80 × 80 cm Edition of 7 © Aida Muluneh and David Krut Projects" width="884" height="886" srcset="https://www.artskop.com/wp-content/uploads/2019/05/AIDA_MULUNEH_2018_Beside_the_doors_ARTSKOP3437_Somerset_house.jpg 884w, https://www.artskop.com/wp-content/uploads/2019/05/AIDA_MULUNEH_2018_Beside_the_doors_ARTSKOP3437_Somerset_house-150x150.jpg 150w, https://www.artskop.com/wp-content/uploads/2019/05/AIDA_MULUNEH_2018_Beside_the_doors_ARTSKOP3437_Somerset_house-600x600.jpg 600w, https://www.artskop.com/wp-content/uploads/2019/05/AIDA_MULUNEH_2018_Beside_the_doors_ARTSKOP3437_Somerset_house-768x770.jpg 768w" sizes="(max-width: 884px) 100vw, 884px" /><figcaption id="caption-attachment-5942" class="wp-caption-text">Beside the door, 2018<br />Archival Digital Print<br />31 1/2 × 31 1/2 in<br />80 × 80 cm<br />Edition of 7<br />© Aida Muluneh and David Krut Projects</figcaption></figure></p>
<h6><em>&#8220;My main goal in building this collection is to address the issues caused by a lack of access to water, and the impact which that has not only on a society as a whole, but on women, particularly in rural regions. For those of us who live in cities, it’s easy to take for granted the privilege of access to water &#8211; while those living beyond the city grid often encounter challenges that not only impact their health, but also their ability to contribute to the development of their communities.</em></h6>
<h6><em>Each piece addresses the impact of water access as it relates to issues like women’s liberation, health, sanitation and education. While travelling across Ethiopia for my work, I often encounter streams of women traveling on foot and carrying heavy burdens of water. I have understood that women spend a great deal of time fetching water for the household, which has an adverse effect on the progress of women in our society. We cannot refute that it is mainly women who bear responsibility for collecting water, a burden that has great consequences for our future and the development of our nation.</em></h6>
<h6><em>Hence, supporting access to water in rural regions in Africa is an urgent social issue, as well as an essential determining factor in the self-sustainability of a community. I have chosen to create a few of these pieces in Dallol, Afar, Ethiopia – an extreme landscape that places emphasis on the message I am transmitting. The world is continually bombarded with images of the social plight of Africa; therefore my focus in this project was to address these topics without the cliché that we see in mainstream media. In a sense, to advocate through art.&#8221; &#8211; Aida Muluneh, Addis Ababa</em></h6>
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<p><figure id="attachment_5922" aria-describedby="caption-attachment-5922" style="width: 1021px" class="wp-caption aligncenter"><img decoding="async" loading="lazy" class="size-full wp-image-5922" src="http://s960436671.onlinehome.fr/wp-content/uploads/2019/05/AIDA_MULUNEH_2018_ARTSKOP3437_Somerset_house.jpg" alt="Aida Muluneh, Knowing the way to tomorrow , 2018 Archival Digital Print 31 1/2 × 31 1/2 in 80 × 80 cm Edition of 7 © Aida Muluneh" width="1021" height="1024" srcset="https://www.artskop.com/wp-content/uploads/2019/05/AIDA_MULUNEH_2018_ARTSKOP3437_Somerset_house.jpg 1021w, https://www.artskop.com/wp-content/uploads/2019/05/AIDA_MULUNEH_2018_ARTSKOP3437_Somerset_house-150x150.jpg 150w, https://www.artskop.com/wp-content/uploads/2019/05/AIDA_MULUNEH_2018_ARTSKOP3437_Somerset_house-598x600.jpg 598w, https://www.artskop.com/wp-content/uploads/2019/05/AIDA_MULUNEH_2018_ARTSKOP3437_Somerset_house-768x770.jpg 768w" sizes="(max-width: 1021px) 100vw, 1021px" /><figcaption id="caption-attachment-5922" class="wp-caption-text">Aida Muluneh, Knowing the way to tomorrow , 2018<br />Archival Digital Print<br />31 1/2 × 31 1/2 in<br />80 × 80 cm<br />Edition of 7<br />© Aida Muluneh and David Krut Projects</figcaption></figure></p>
<h5></h5>
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<h5>Somerset House<br />
WATER LIFE BY AIDA MULUNEH<br />
24 September – 20 October 2019<br />
Great Arch Hall, South Wing, Free<br />
Sponsored by H&amp;M Foundation</h5>
<p>The post <a rel="nofollow" href="https://www.artskop.com/en/water-life-by-aida-muluneh/">Water Life by Aida Muluneh</a> appeared first on <a rel="nofollow" href="https://www.artskop.com/en">Artskop</a>.</p>
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